REMEMBERING SOMEONE YOU MISS OR CANNOT FORGET
A letter or song or poem or
monologue in the second person, a conversation about the person. This could be an imaginary letter to someone
you (the narrator) misses. The missed
person could be alive or dead. The
pieces should speak to them about how
they are missed. Difficult to avoid
sentimentality and yet sustain strong feeling.
In writing to a person in this way you have to be careful not to say the
obvious. If you are remembering habits,
gestures, favourites, the comments have
to be focused on the affection the speaker, but without going on and on about
how sad they are. You have to avoid
seeming to tell the person things
about themselves they would already know.
This is in part a matter of finding the authentic detail.
The person may be unforgettable for
different reasons. It may be to someone
you wish you could forget but keeps
looming up in dreams, or half recognized in a crowd: perhaps a cruel figure from childhood or your
time in prison, school, former marriage, illness, a bad time in the past with
someone you still love but you still can’t forget t; it may be about someone whom you have
harmed, a matter of guilt, someone who perhaps can’t forgive you
(perhaps they have ‘got it all wrong’), or is now dead. Or indeed someone you don’t know: the child on the Pathé newsreel of Belsen when you were eight,
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